Tag Archives: #CalgaryStampede

My Novel is an Audiobook

I view audiobooks as a wave of the present. Many of my friends like them for multi-tasking. They listen to books while driving, exercising, or cleaning the house. Book-lovers who develop eye problems with age find audiobooks a godsend. So I was thrilled when BWL was awarded funding to produce a group of Accessible Audiobooks and chose my novel, Ten Days in Summer, to be part of the group.

BWL’s next step was to find a suitable narrator for Ten Days in Summer. They selected Janice McNally, an Ontario narrator and producer. Janice has visited Calgary and attended the Stampede, which forms the backdrop for my novel. She produced a fifteen minute sample for us to approve. BWL and I agreed she sounded great and spoke clearly. Then Janice got down to work. 

Partway through the process, she contacted BWL with a question about how to pronounce the surname of one of my characters, Cynthia Hawryluk. Janice had looked this up on the internet and found several examples, each with a slightly different pronunciation. I’d taken the name from a doctor I had in Montreal and pronounced it like this: Haw (rhymes with cat’s paw, accent on this syllable) ry (short sound) luk (luck).

Now I did an internet search and discovered that most websites pronounce Hawryluk similar to this. I don’t know if my doctor anglicized his name or if I pronounced it wrong all these years. I gave Cynthia this surname because Alberta, the novel setting, has many Ukrainian residents and I assumed the name was Ukrainian. The internet advised me that Hawryluk is equally or more often Polish. 

The bottom line for me was Cynthia Hawryluk is a secondary character in the novel and her surname is only mentioned a few times. Since I’m not invested in the pronunciation, I advised Janice to go with the common one for readers familiar with the name. 

I was impressed with Janice’s and BWL’s attention to this detail. When Janice finished her work, BWL asked me to listen to the whole audiobook to check for errors. I’ve never read any of my novels after they were published and relate to actors who never watch their movies. Ten Days in Summer was released in 2017. Since then, I’ve moved on to three more novels. I cringed at the prospect at looking back at my writing.              

At first it felt strange and uncomfortable listening to someone else’s voice telling my story. But less than a chapter in, I got used to it and felt Janice’s voice nailed my Paula narrator. I enjoyed revisiting the story, chuckled at my old jokes, and found minimal errors. Three were different pronunciations for friends’ names in the acknowledgments. 

Janice posted her view of the experience from her end.

Listening to my novel five years after its publications gave me a broader view of the story. Themes popped out. I realized Ten Days in Summer might appeal to readers interested in the following:

Whodunnit stories

Psychology and effects of hoarding

The Calgary Stampede – Yahoo!

Social class 

Ordinary people who murder

Family relationships

Mothers and daughters

Trust

How human connection eases the pain

Baby boomers

Grown children and aging parents

Finding love and romance in middle age

I’m currently working on the fourth novel in my Paula Savard Mystery series and was thinking it would be the last. But, to my surprise, listening to this earlier series book, Ten Days in Summer, gave me an idea for a new direction for Paula, should she and I choose to take it. 

If you’re looking for a Christmas present, here’s a bonus offer from audible. 

Happy Holidays and my best wishes for a happy and healthy 2023. 

I enjoyed a pre-Christmas holiday in Mexico

                                                                      

New Life for Ten Days in Summer

My publisher BWL was awarded funding under their CBF Accessible Audiobook application to produce a group of audiobooks. They’ve chosen my novel, Ten Days in Summer, to be one of the books. This is exciting new territory for my Paula Savard Mystery Series. BWL has found a narrator — Janice McNally. She’s from Ontario and has been to the Calgary Stampede, which forms the backdrop for the novel setting. Release is scheduled for early 2023. BWL says Janice’s voice sounds great. I look forward to hearing her 15 minute demo recording.

Every Cover Tells a Story

I like BWL’s process for designing book covers. It begins about six months before a book’s release, when we authors fill out a Cover Art Form. This includes factual information, such as the book title and author name to appear on the cover, a back cover book blurb, details about story, keywords for online searches and — my favourite part — ideas for cover images. After we submit the CAF, Art Director, Michelle Lee, designs our covers from purchased stock images. She combines and manipulates the images and adds background and other elements to create covers that hint at the story inside.  

I published my first BWL novel, Ten Days in Summer, in 2017.  At that time, the CAF stated that most of the covers would feature at least one person. When I searched for people images on the stock images website, I discovered a few problems. My main character, Paula Savard, is an insurance adjuster. A keyword search for her gender and job popped up images of women meeting with clients or examining construction sites and damaged cars. In this story, Paula investigates a building fire with a suspicious death. I searched ‘female detective’ and got pictures of young women holding guns and magnifying glasses. Paula was fifty-two. My search for professional women in their fifties unearthed a few possibilities, although none looked like my image of Paula.  

A basic problem with people images on novel covers is that writers and readers form their own images of fictional characters. I realized a full picture of Paula would interfere with reader engagement, although partial images still maintained enough mystery. This explained why rear-view images of women had become popular in novel cover art, but so common they were now considered cliché.  

For the CAF, I chose the best of the images I could find for Paula, plus female images shrouded in mystery — a woman’s legs in cowboy boots, eyes peering through a hole, and a silhouetted woman in a cowboy hat. Since the story backdrop is the Calgary Stampede and the second most prominent character is a self-styled cowboy, I added images of cowboys in silhouette, the Calgary skyline, and fire, for the incident that sets the story in motion. 

I sent the CAF to Michelle, who found images for the cowboy, fire and skyline that were different from the ones I’d suggested. She meshed them together to produce a cover better than any I could have dreamed up myself. 

Two years later, BWL reissued the first book in my Paula Savard mystery series. During this time, the trend in cover design moved away from people to symbolic images. Now the CAF stated that most BWL covers would not feature people unless we insisted. I searched for people images anyway, since I found this fun, but was glad to focus on images related to the story setting and mood. For the new cover of A Deadly Fall, I sent Michelle images of the Calgary skyline, falling leaves, fall trees, and pathways through fall woods. The murder takes place on a Calgary walking path. Michelle scored another hit with a cover design of leaves framing the Calgary skyline in glorious fall colours of gold, orange and yellow, along with the red of Calgary’s Peace Bridge. 

In February I completed my CAF for Winter’s Rage, book # 3 of the Paula Savard mystery series. This time, Paula investigates a hit-and-run collision that resulted in a woman’s death. Images of a tire on a snow-covered road, broken windshields, and car headlights in the dark would suit the story, but I wanted this cover to continue the series style. One problem. A Deadly Fall’s autumn time frame and Ten Days in Summer’s building fire resulted in covers with similar colours. Yellow, orange and red don’t evoke winter in Alberta. On the CAF, I suggested we bend the brand and go with white, blue or black winter shades. Michelle agreed. She created a scene of snow falling on a Calgary skyline draped in snow, the Bow River shining ice. Yellow letters echo the two earlier novels.  

The front cover of Winter’s Rage gives the first hint of the story. The back cover blurb reveals a little more https://bookswelove.net/calder-susan/ You can read what it’s all about this August.