Tag Archives: #amwritingfiction

Historical fiction: how accurate do you need to be?

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At this year’s When Words Collide Festival for Readers and Writers, https://www.whenwordscollide.org/ I participated in a panel titled Historical Fact and Fiction: what can and can’t be changed. Moderator Lori Hahnel began by asking how and where to find accurate historical facts. My fellow panelists, John Corry and Donna D. Conrad, talked of the challenges of historical research for novels set centuries ago. John’s novel about British author Geoffrey Chaucer takes place in the 1300s; Donna’s retelling of the story of Mary Magdalene in the first century. 

Donna said she used sources from different countries and religious perspectives to get the most accurate spin on Mary Magdalene. John noted that he had to be careful about dates in his research, since most countries changed from the Julian to the Gregorian calendar after his novel’s time period. 

My historical novel, A Killer Whisky, set in 1918 during World War One, felt modern in comparison, and I had more research tools available. While I found that reading historical fiction and non-fiction was useful, I learned the most from material published at the time of my novel. I signed up for a one-week free subscription to Newspapers.com and devoured the headlines of the day as well as ads for groceries, houses, jobs, and more. Online, I combed through the 1,000+ page 1918 Sears catalogue for images and descriptions of fashion and other consumer goods. Novels and memoirs published in the early twentieth century provided details of daily life, attitudes of the times, and words and expressions used. To avoid language anachronism, I suggested that the panel audience check out Google Ngram Viewer https://books.google.com/ngrams/. You plug in a word or phrase and a graph tracks its usage in books from 1800 to 2022. For instance, the word “groovy” barely registered before 1960, when it peaked. Then it dropped and hit a higher peak this century, perhaps from people writing about the swinging sixties. My WWI characters would never say “groovy.” 

Unless I try my hand at writing alternate history. 

Lori asked what we thought of television shows like Bridgerton, a Netflix series based on Julia Quinn’s novels set in early 19th century London. Main characters include wealthy and aristocratic people of colour who are totally accepted in high society. 

I said I liked Bridgerton. Everyone watching knows the world wasn’t like that then or even now, but Bridgerton makes you think, what if this alternate world were true? Donna said she enjoys these kinds of shows but cringes at the historical inaccuracy. 

Lori brought up her second concern about historical fiction: the abundance of WWII novels. Is the market saturated? Will people ever get tired of reading about that war?

John and Donna thought the trend would continue because writers are constantly finding new angles about the war. I suggested that WWII endures because it is arguably the last heroic war and it is still close to many of us whose parents or grandparents fought in or lived through the war. Perhaps, interest will wane for the next generations, until writers rediscover and reinterpret that momentous time.    

As to the panel topic question: what can and can’t be changed? We all agreed you can’t change major known facts. I wouldn’t change key dates about WWI, even though it would probably work better for my novel-in-progress if the war had started a month earlier. John and Donna said they wouldn’t change dates that Chaucer or Mary Magdalene were known to be in particular locations. 

I pointed out that Chaucer and Mary were their novels’ main characters, but it might be okay for me to write a novel set in 14th century York and have Chaucer make a cameo appearance despite no evidence that he’d ever gone there. Small changes like that wouldn’t significantly impact history or my main characters and themes, although I think it’s more interesting to readers if the historical figure really was present. We all like to pick up factual trivia from our reading and history is ripe with interesting tidbits. 

My historical novel-in-progress begins in Karlovy Vary (aka Karlsbad), a spa town in Czechia (aka Czech Republic). Somewhere I read that Sigmund Freud, founder of psychoanalysis was in Karlovy Vary at the outbreak of World War One, when my novel takes place. Unfortunately, I’ve lost the reference. (Advice to historical fiction writers: keep your references). The Psychiatric Times confirms that Freud visited Karlsbad more than once for health reasons and I’ll do my best to find my missing reference. But if I can’t, would it be wrong to make him a character in my novel? Freud’s interactions with my fictional characters would be interesting and relevant to the story. 

Home Sweet Homicide – but please don’t try this in your own home

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In August, at Calgary’s annual When Words Collide Festival for writers and readers I sat on a panel titled Home Sweet Homicide: the multitude of ways victims die at or near their homes. The moderator asked us panelists to describe the various methods we’d used in our mystery novels and why we’d chosen those approaches. 

I talked about my Paula Savard Mystery Series set in Calgary. Paula, my sleuth, is an insurance adjuster whose work gets her involved in crimes. In books # 2 and 3 of the series, Paula investigates a building fire and a hit-and-run collision near a victim’s home. She comes to suspect both apparent accidents were coverups for murder. Book # 4 begins with Paula investigating a theft from a bicycle store during the COVID-19 pandemic. A murder takes place in the adjacent furniture store, which has closed for the pandemic and become the home of a squatter. The victim is bashed on the head with a weapon of opportunity: a candlestick from the store’s dining room display. 

Home Sweet Homicide panel at WWC 2025

The panel’s most engaging questions related to the allure of poisons and medications thanks to our expert panelist, Lee-Anne Hancock, a retired nurse who worked at the BC Drug and Poison Information Centre. Lee-Anne told us about ordinary plants and medicines that can kill if used incorrectly — or correctly from a killer’s perspective. She noted that poisoning has been called the female murderer’s method of choice, perhaps because it is less messy and violent and doesn’t require physical strength.

As a mystery writer, I’m intrigued by the medicinal method that can easily be disguised as an accident. In two of my short stories, someone kills a relative by administering an overdose of their prescribed medicine. Even if suspicions arise and victims are autopsied, it would be normal for traces of their own medicines to show up in their bloodstreams. 

In my novel, A Killer Whisky, set in 1918 Calgary, a man dies in his living room after drinking a glass of whisky. His symptoms are consistent with the “Spanish Flu” that has struck the city and the attending doctor diagnoses the flu as the cause of death. But the man’s neighbour, who is the doctor’s receptionist, suspects someone laced the whisky with a poison or a medicine that reacted with the alcohol to produce a toxic brew. She convinces a sympathetic police detective to investigate.       

The Home Sweet Homicide panel took a light hearted approach that entertained the audience at the end of a busy festival day. Afterward, I pondered why I’ve tended to kill off my novel victims in their homes or on nearby streets rather than farther away. I came up with three thoughts. 

1. My killers and victims always know each other, which is most common with real life murders, and relatives and friends often hang out together at or near their homes.  

2. Homes are, by definition, private rather than public. There will likely be fewer potential witnesses to a crime and perhaps no witnesses. Any friends or relatives present might lie or conceal information to protect themselves, someone else, or the victim.  

3. Home is supposed to be our safe place. A home break-in feels like a violation, and a killing in our home or neighbourhood threatens our sense of security.  

My Changing Author Photograph

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When my first novel, A Deadly Fall, was published in 2011, I decided to get a professional author photograph for book promotion. A friend recommended her friend, Deb Marchand, a local Calgary photographer who specializes in portraits, family pictures, and special events like graduation photos. 

I contacted Deb, found her cost reasonable, and arranged a photo session. Deb likes to shoot outdoors and prefers the evenings for better light. We picked a date, but that summer kept getting hit with evening thunder showers, and we had to cancel our first date. The next time, another storm loomed, but we agreed to chance a downpour. 

Deb chose a location on a park ridge. I had asked her advice on clothing for my portrait. Since it would be a head shot, clothes only mattered from the chest up. Deb said a plain coloured top with a rounded neckline would be best. I had also read that it’s best to avoid jewellery in portraits since it detracts from the face, which is what people most want to see about the person. 

I looked through my wardrobe, couldn’t find the perfect top, and threw a bunch into a bag with the plan to discretely change on the ridge until we found the top that worked. Fortunately, on that evening of looming clouds few people were out walking in the park. After taking numerous photos of me in several tops, I went to Deb’s house, in the rain, to go through the selections on her computer. An agonizing choice when so many photos looked similar and I’m not the biggest fan of pictures of me. 

In the end, I settled on a photo of me wearing a white top with a V-neck. I liked the look so much that I had the photo enlarged for my family room wall. 

Deb and I became Facebook friends. She came to my book launch and read A Deadly Fall and my next two novels. In 2019, I realized my eight-year-old photo was out of date and asked Deb if she’d be interested in another photo shoot. This time, we met on a clear, spring evening in Calgary’s St. Patrick’s Island Park, and I had the perfect top–red with a rounded neckline.  

Six years passed. I published three more novels, let my hair go naturally gray, and. thanks to cataract surgery didn’t wear glasses anymore. Every time I sent out my author picture, I felt it didn’t look like the current “me.” I messaged Deb who was enthused about working with me again. She suggested Prince’s Island Park downtown for our third photo shoot.  

Deb asked if I’d prefer a city or nature backdrop. I chose nature because I liked the greenery in my past photos and thought high rise buildings in the background would portray the wrong image for my shift to historical fiction. Deb thought a light-coloured top would be a good contrast to nature colours. I chose a pale pink rounded-neck T-shirt top. 

On a warm, slightly windy and smoky evening in June, we walked around the Prince’s Island Park and caught up on each others’ news. Deb photographed me on a staircase to the Bow River and in front of trees and flowerbeds. She had me do models’ poses–chest out and swish your arms down your hips to your thighs–and fussed with my windblown hair. It reminded me that I wouldn’t want to be a model. 

After the session, Deb emailed me a longlist of photos as well as her five personal favourites, from which I chose my two author photos. Here they are:

Deb and I shared a few laughs during the photo shoot. She said that, as a bonus, she’d add a joyous portrait as her gift to me. “It will be one of those great laughing photographs that makes me smile as big as your smile in the photo.” 

Many thanks to https://www.debmarchandphotography.ca/ for all these years of great author photos. 

May Day Celebrations

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On Saturday, May 3, I celebrated May Day with back-to-back-to-back activities. The day began with sunshine, warmth, and my morning Heritage Walk in Calgary’s Tuxedo Park — my first time leading a Jane’s Walk. Forty-three people turned up at our meeting spot in Balmoral Circus Park, which conveniently provided chairs for half of the attendees. 

After my introduction and a discussion of the intersection’s history and recent transformation into a park, we set off to explore the other historical sites in the neighbourhood that I had chosen for the setting of my mystery novel, A Killer Whisky. 

The whole walk took 1.5 hours. Highlights included unexpected contributions by walk participants. A woman who grew up in the neighbourhood recalled that the house in the above picture used to be a Scout Hall. She rang the home’s doorbell to see if the owners could confirm this. They said they were newcomers but would contact the previous owners and send her more information. 

At our next stop, a surprise for me was a “Sold” sign in front of the blue house in this picture. 

A few weeks earlier, when I’d researched the walk, no sign was there. I had imagined this 1912 house as the residence of my novel’s protagonist. A woman in the walking group Googled the real estate listing and found the description boasted that the home was featured in a Jane’s Walk. During my research trip, I’d dropped a flyer in the mailbox advising the owners about the upcoming walk. Evidently their real estate agent viewed this as a selling point. 

Between my morning and afternoon walks, I grabbed a burger and fries at a nearby local landmark, Peter’s Drive In. After lunch, I repeated my Jane’s Walk for 40 new participants. The afternoon walk featured three guest speakers. 

The first speaker was planned. In front of the 1912 commercial building that once housed a branch of the Calgary Public Library, author and literary historian Shaun Hunter spoke about Elaine Catley, a Canadian writer who lived in Tuxedo Park in the 1920s. 

The two other speakers were spontaneous additions. When we discovered an urban planner from the City of Calgary was in the audience, we asked her explain about Heritage Protection laws, which I wasn’t familiar with.  

Later, a woman who’d gone to Balmoral Bungalow School shared her memories of attending the school that was built to temporarily house students during Calgary’s periods of rapid school enrollment. The school is boarded up now, although an application has been made to make it a daycare centre.  

From the walk, I drove to the Austrian Canadian Cultural Centre for a dinner/dance to celebrate May Day and the Centre’s 70th anniversary. May Day, the halfway point between the spring equinox and the summer solstice, welcomes the summer growing season with the traditional Maypole dance. 

During the day, groups from Western Canada had gathered at the Centre for workshops on Schuhplattler dancing. My sister’s German dance club came from Victoria and dressed in dirndl and Lederhosen for the occasion.  

After the workshop presentations, the band continued with polkas. I was tired from my busy day, but couldn’t resist hitting the dance floor when the band segued to Elvis’ “Blue Suede Shoes.” By midnight, I was ready to crash in our hotel room. 

What a fun way to usher in summer. Happy Merry Month of May to you! 

Successful Book Launch for A Killer Whisky

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I enjoyed my book launch for my new novel, A Killer Whisky, on Tuesday night. The weather co-operated with relatively mild temperatures and a hint of sunshine. Views from the Treehouse at cSPACE Marda Loop were lovely. It was especially great to see so many smiling, supportive faces and chat with newcomers and friends.

As part of the festivities, we offered “wee drams” of whisky and whisky cocktails named for some of A Killer Whisky’s characters. The most popular cocktail was “Katharine’s Patriotic Canadian Maple Whisky Sour.” Here’s the simple recipe:

Ingredients – yields one serving

1.5 oz whisky

1 oz lemon juice

2-4 teaspoons maple syrup

Pinch of ground cinnamon (optional)

Instructions

Fill a cocktail shaker or mason jar about 2/3 full with ice.

Add whisky, lemon juice, maple syrup, pinch of cinnamon.

Securely fasten the lid and shake well.

Pour ice into cocktail glass.

Add maple whisky sour mixture.

Enjoy!

This was my favourite cocktail, too, but I refrained from drinking at the launch to stay alert for my discussion of how I came to write A Killer Whisky and the history that forms a backdrop to the story.

My friend and Calgary literary historian, Shaun Hunter, did a fabulous job of hosting the event. Another friend and writer Leslie Gavel kept the slide show moving smoothly. Judith from Owl’s Nest Bookstore created a fine display of my six novels.

Most people seemed to go home feeling satisfied and enthused with the event. I couldn’t ask for better launch my novel, A Killer Whisky.

Last Day of my virtual book tour

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I have two stops for this finale day of my blog blitz tour. Here they are:

Our Town Book Reviews:https://www.ourtownbookreviews.com/2025/02/a-killer-whisky.html?sc=1741358052467#c5823763710522951092

The Avid Reader: Blurb Blitz + #Giveaway: A Killer Whisky by Susan Calder @GoddessFish | The Avid Reader

This whirlwind tour has been an interesting ride. Thanks to Goddess Fish promotions for organizing the tour, to the 15 reader websites for hosting A Killer Whisky and helping to connect readers and writers, and to the interested readers who posted comments about my book.