Today on my publisher BWL’s website I blog about my trip to Liverpool and tour of Beatle Paul McCartney’s home, where he lived as a teenager.
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John Lennon’s Home
For those who missed it, here’s my August post from my publisher Books We Love’s website.
I became a teenager in February 1964, when The Beatles exploded on the North American scene. One week I was playing with dolls; the next week I was glued to top 40 radio and in love with Paul. So when my husband Will and I visited England this spring, it was natural for us to include a stop in Liverpool, home of the fab four. We discovered that Britain’s National Trust has bought John Lennon’s and Paul McCartney’s boyhood homes and offers tours to the public. Will and I reserved spots on the 16 person van, not really knowing what to expect.
The driver took us first to John’s house in Woolton, an affluent middle class suburb. The home’s curator met us in the front yard and said that we can thank Yoko Ono for this tour. After John’s death, Yoko purchased the house and donated it to The National Trust, along with money to develop and maintain it. The National Trust later bought Paul’s home and hired a husband and wife to act as curators. The couple does research, buys artifacts from the boys’ time and conducts tours, which are the only way for people to see inside. No indoor pictures are permitted. The curator also asked us to turn off our cell phones to preserve the homes’ 1950s and 60s atmosphere.
The curator explained the basics of John’s story, known to most Beatles fans. When John was five, his aunt Mimi took over his upraising because she viewed his mother, her sister Julia, as irresponsible and John’s father was out of the picture. John adored Julia, the creative, rebellious and fun sister and was devastated by her death. The curator pointed out the intersection where Julia was struck by a bus. John’s boyhood friend, who has become a resource and friend of the curator, told him that Julia had stopped in to visit Mimi that night. The friend showed up, looking for John, and walked with Julia to the bus stop. Minutes later he heard and saw the crush, but was too late to save her.
The curator took us around to the back entrance, since upwardly mobile Mimi had reserved the front door for esteemed guests like the minister. Paul always entered by the kitchen too. Before she met Paul, Mimi was concerned about the working class teenager’s friendship with John. But Paul’s manners and refined speech passed her test. In contrast, Mimi later judged George Harrison scruffy and scorned his Liverpool scouse dialect. Still she let the boys practice their music in her living room, perhaps to keep an eye on them. Mimi was concerned about John’s growing disinterest in his school work, despite his academic abilities. In retrospect her view that John would be a failure if he didn’t go to university seems narrow and short sighted, what who could foresee the delinquent youth would become a famous Beatle? Mimi’s husband died when John was about aged 10. So that she could afford to give John the opportunities she wanted for him, Mimi took in boarders and slept in her small sitting room. Evidently John appreciated all she did. The curator said that John phoned Mimi every week until his death.
Gate to Strawberry Field near John’s boyhood home. John’s friend said that, as boys, they would climb the gate into the orphanage grounds to escape his Aunt Mimi’s watchful eye. |
Inside the home, the curator guided us through the ground floor, decorated in Mimi’s 1950s style. A few of her original pieces remain in the living room. She converted the dining room to a bedroom for John and Cynthia when they married and had baby Julian. Of course, John was always on the road by this point and rarely home. Cynthia found the living arrangement uncomfortable since Mimi didn’t like the baby’s crying. Cynthia would take Julian into the back yard until he calmed down.
Aunt Mimi’s back yard |
The curator let us wander on our own upstairs. We saw John’s small bedroom, with a guitar and posters like the ones his friend remembered being on the walls. When Mimi sold the house, John was rich. He and Mimi kept few of the original furnishings and items. John bought himself an even more posh house and later one for Mimi when she was tired of fans hanging around outside her door.
After our hour at John’s and Mimi’s home, the van took us Paul’s house, about a 15 minute drive away. I’ll blog about that visit next month. Before leaving the tour, I asked the curator of Paul’s house if The National Trust had plans to buy Ringo’s and George’s boyhood homes. She said this would be problematic. Ringo’s home has since gone through many owners and would be difficult to return to its state at the time Ringo lived there. George’s home is on a quiet court and neighbours would find the fans obtrusive. But I expect The National Trust will find a way around these problems if their tours of John’s and Paul’s homes become super popular with the world’s legion of Beatles fans.
Me and John across from Liverpool’s Cavern Club, which launched The Beatles to fame. |
John Lennon’s Boyhood Home
Today, on my publisher’s website, I blog about my visit to the boyhood home of a famous song writer, John Lennon.
Meanwhile, today I’m off to When Words Collide Festival For Readers and Writers. At noon I’ll be on a panel discussion on Creating Tension.
Shakespeare’s Globe
Before this May I had been to London, UK, twice. Like most tourists I spent most of my time on the north side of the Thames River. But five years ago my husband Will and I enjoyed a short walk and café meal along the river’s South Bank. So on this third trip we wanted to see more of this side of London and, in particular, visit the rebuilt Globe Theatre, which opened in 1997. On a sunny Sunday morning, we walked from Paul’s Cathedral across the Millennium Bridge to Shakespeare’s Globe and bought tickets for the tour and exhibition.
Me at St. Paul’s |
The original Globe Theatre was built in 1598. Actor-playwright William Shakespeare owned a share of the company that chose the location across the river because it was outside of the City of London, which had laws restricting unsavoury activities like theatre and prostitution. Plays of the time had to take place under daytime’s natural lighting, which meant attendees couldn’t be working.
The Globe thrived for 14 years and presented many of Shakespeare’s greatest plays. In 1613, during a performance of Shakespeare’s Henry VIII, a stage cannon misfired, igniting the thatched roof and burning the theatre to the ground. Records state that only one man was hurt, but he was saved when his burning breeches were put out with a bottle of ale. The company built a second Globe with a tiled roof. It’s believed that Shakespeare never wrote for this new Globe, which was closed with all the English theatres in 1642 by the Puritan government. Two years later the Globe was demolished to make space for tenements.
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Artist’s rendition of the original Globe |
On the tour we learned that the modern Globe was the brainchild of American actor and director Sam Wanamaker. When he first
visited London
in 1949, Wanamaker was appalled to discover the city contained no acknowledgement to the theatre intimately associated with one of the world’s greatest writers. Wanamaker founded the Shakespeare Globe Trust, which raised funds and conducted research on the historical Globe. They discovered that the modern theatre couldn’t be built on the original site, since a historically designated building occupies the spot. So the new Globe is about 750 feet (230 m) away.
The Globe viewed from our Thames River cruise |
The Trust’s objective was to construct a Globe as close as possible to the original, using the old building techniques, while taking into account modern fire regulations. The building is open air, with a roof made of reed thatch, based on samples found during the excavation of the original site. I had always assumed the Globe was round, but research determined it was 20-sided polygon. Little was known about the stage, so the designers relied on accounts of other theatres of the time. In the end, today’s Globe is as accurate a reconstruction as current knowledge could make it.
Inside the theatre, we sat on the tiered seats while the guide explained that the stage was designed with three levels. Elizabethan theatre goers would understand that characters descending from the ceiling painted heavenly blue with clouds were good guys, while those rising from a trap door in the floor were evil.
The guide pointed out that the most expensive seats in Shakespeare’s time were located high up on the side tiers, rather than lower and facing the stage, because the wealthy were more interested in being seen rather than having the best view of the show. The area in front of the stage, called the pit or yard, allowed the poor in for a penny. This must have been a smelly place, since the crammed-in people were drinking beer with nowhere else to go to relieve themselves. The modern Globe honours the tradition by selling standing room tickets for £5, but provides bathrooms in the wings. Still, today’s budget attendees must stand for three hours, among a crowd of 500 people and exposed to the elements. Umbrellas aren’t allowed. I would splurge for a seat. Prices range from £19-47 for this summer’s production of Hamlet, which is reasonable compared to London west end theatre. Since the Globe seats are hard with no backs, patrons can rent cushions and seat backs.
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I think it would be marvellous to watch a Shakespeare play performed in the setting the playwright had in mind when he wrote his great works. But with so much to do in London, Will and I limited ourselves to the tour, which included a peek at the associated Sam Wanamaker Playhouse, an indoor candlelit theatre inspired by the old Blackfriars Theatre. We ended with a walk through the Globe exhibition about the building reconstruction and the history of Shakespeare’s time. It turns out the Globe name derives from a Latin quote by Petronius “because all the world is a playground,” which Shakespeare evidently borrowed and changed to “all the world is a stage.”
This blog post originally appeared on July 12, 2018, on my publisher’s website in the Books We Love Author BlogSpot.
Summer Projects
Shakespeare & Ten Days in Summer
Today on my publisher’s website I blog about my recent visit to Shakespeare’s Globe Theatre in London.
Also, good news for Ten Days in Summer. My publisher, BWL Ltd., participated in a special Kobo sale that ran over the Canada Day long weekend. Kobo advised us that three BWL titles made the top 5 best sellers in the promotion:
Ten Days in Summer (9781772994056): 56 Units
Brides of Banff Springs (9781772992717): 36 Units
The Deepest Dark ( 781771452090): 22 Units
Jane Austen’s House
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For those who missed it, here’s my post that appeared on my publisher’s website on June 12th.
Susan & Barb at Jane Austen’s home, which was later divided into flats – hence the boarded up windows and door alterations |
I’ve loved Austen’s writing since I studied Pride and Prejudice in high school English. I subsequently re-read the novel several times, watched numerous film versions of it and read all of her other books. Emma is my second favourite. Barb is not a romance reader and had never been drawn to the stories, but she offered to drive us to Chawton. We began our visit to Jane Austen’s former home with a picnic in her garden.
At the Austen home, we learned that Jane had already drafted her novels when she moved there at the age of 34. Content in this improved environment, she started work on revisions. Another brother, who lived in London, submitted her first polished manuscript to a publisher. Sense and Sensibility by A Lady was published in 1811 to public and critical acclaim. A bedroom in the museum displayed an advertisement for her second novel: Pride and Prejudice by the author of Sense and Sensibility. We asked a volunteer guide why Austen had published anonymously. The guide said that the novel was a fairly new written form at this time. Poetry was the viewed as the only true literary writing, while novel writers were considered somewhat sketchy, especially women writers. The guide added that Austen was known as the books’ author in literary circles, but the public was kept in the dark.
Jane’s writing table, more suitable for quill pen writing than a laptop, stands in front of the grandfather clock. |
Jane Austen went on the publish the rest of her novels while living in the Chawton house. The guide believes that Jane would have continued to live there and write more books if she hadn’t become ill and needed to be closer to a hospital. Jane died too young, at age 41 in 1817, probably of Addison’s disease or stomach cancer.
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Jane Austen, 1775-1817 |
The tour left me with the impression that Jane Austen lived a mostly happy life, enhanced by close family connections, friendships and writing satisfaction and success. But her own story shows the constraints for women of her time, forced to carve a fulfilling life in a world skewed toward men. Her novels reflect this experience and may be one reason why they still resonate with people today.
We finished the tour on a fun note–dressing up in period clothing. The next day Will and I left for London. Barb sent us an email saying the visit had inspired her second venture into Austenland, by reading a non-fiction history of Jane Austen’s time. Who knows? Jane might have picked up a new fan.
Carpooling with Paul
This week’s segment of Carpool Karaoke on the Late Late Show with James Corden brought back memories. Especially memories of my holiday last month in Liverpool, where I visited many of these same sights, but without Beatle Paul McCartney by my side. I even enjoyed a drink at the Philharmonic bar, where Paul performed in the video to a surprised and enthusiastic audience. Later this summer, I plan to write blog posts about my tour of Paul’s and John Lennon’s boyhood homes, as well as stops at Liverpool sites such as Penny Lane and the Cavern Club. It was a truly fab experience for a Beatles’ fan.
Jane Austen’s Home
My husband Will and I spent a delightful month of May in England and Scotland. We chose this destination because 40 years ago we went to the UK on our honeymoon. Some of our activities this time were repeats–climbing to the dome of St. Paul’s Cathedral and taking a day trip to Windsor, which was preparing for the wedding of a young couple. But most of our sights were new.
In addition to being a month that re-energized me, the trip provided material for my regular blog posts on my publisher’s website. During the next months these posts will focus on my encounters with places associated with British authors. First up is Jane Austen.
When Words Collide is Coming Up!
Why is When Words Collide my favourite? Here are my top ten reasons.
1. WWC is local, here in Calgary. I don’t have to spend money on airfare, hotels and restaurant meals to attend, although I might grab a bite with friends on the hotel’s Boomtown pub patio.
2. Not only local, WWC takes place close to my home. The festival hotel, the Delta Calgary South, is about a 15 minute walk or short drive away. I can come home for dinner or a breather from the activities.
3. Being local, I constantly run into people I know at WWC and don’t feel out of place.
4. But there are still tons of new people to meet. Writers, readers, editors, publishers and agents from Calgary, other parts of Canada and beyond.
5. I met my publisher at WWC: Jude Pittman of BWL Ltd.
6.. The Energy. This is what impressed me the most at my first WWC, the inaugural year of 2011.
7. The opportunity to promote and sell my books. Any registrant can volunteer to sit on a panel or do a presentation, and sell their books in the merchant’s corner, either on the shared author’s table, a table they or their group rent or through Owl’s Nest Books, the official bookseller.
8. It’s fun. The banquet photo above says it all and it’s not unusual to see people dressed in various costumes during the daytime. The year that author Diana Gabaldon was a Festival Guest of Honour a man showed up at her session wearing a kilt, in homage to her novel hero Scottish nationalist Jamie.
9. Learning. I’ve been around writing a long time and still learn more about writing and selling books at the many panels and presentations I attend.
10. The registration cost is $45-$60 ($30-$40 for seniors and students) for three full days and two evenings of programming. I can’t resist a bargain!