Pleased to have my article in the terrific Opal Magazine. https://opalpublishing.ca/2022/02/07/does-your-mystery-novel-series-need-an-overall-story-arc/
My post today, on the BWL, is about Canadian Mystery novels and how they highlight our country’s unique people, places, and stories. https://bwlauthors.blogspot.com/
I like BWL’s process for designing book covers. It begins about six months before a book’s release, when we authors fill out a Cover Art Form. This includes factual information, such as the book title and author name to appear on the cover, a back cover book blurb, details about story, keywords for online searches and — my favourite part — ideas for cover images. After we submit the CAF, Art Director, Michelle Lee, designs our covers from purchased stock images. She combines and manipulates the images and adds background and other elements to create covers that hint at the story inside.
I published my first BWL novel, Ten Days in Summer, in 2017. At that time, the CAF stated that most of the covers would feature at least one person. When I searched for people images on the stock images website, I discovered a few problems. My main character, Paula Savard, is an insurance adjuster. A keyword search for her gender and job popped up images of women meeting with clients or examining construction sites and damaged cars. In this story, Paula investigates a building fire with a suspicious death. I searched ‘female detective’ and got pictures of young women holding guns and magnifying glasses. Paula was fifty-two. My search for professional women in their fifties unearthed a few possibilities, although none looked like my image of Paula.
A basic problem with people images on novel covers is that writers and readers form their own images of fictional characters. I realized a full picture of Paula would interfere with reader engagement, although partial images still maintained enough mystery. This explained why rear-view images of women had become popular in novel cover art, but so common they were now considered cliché.
For the CAF, I chose the best of the images I could find for Paula, plus female images shrouded in mystery — a woman’s legs in cowboy boots, eyes peering through a hole, and a silhouetted woman in a cowboy hat. Since the story backdrop is the Calgary Stampede and the second most prominent character is a self-styled cowboy, I added images of cowboys in silhouette, the Calgary skyline, and fire, for the incident that sets the story in motion.
I sent the CAF to Michelle, who found images for the cowboy, fire and skyline that were different from the ones I’d suggested. She meshed them together to produce a cover better than any I could have dreamed up myself.
Two years later, BWL reissued the first book in my Paula Savard mystery series. During this time, the trend in cover design moved away from people to symbolic images. Now the CAF stated that most BWL covers would not feature people unless we insisted. I searched for people images anyway, since I found this fun, but was glad to focus on images related to the story setting and mood. For the new cover of A Deadly Fall, I sent Michelle images of the Calgary skyline, falling leaves, fall trees, and pathways through fall woods. The murder takes place on a Calgary walking path. Michelle scored another hit with a cover design of leaves framing the Calgary skyline in glorious fall colours of gold, orange and yellow, along with the red of Calgary’s Peace Bridge.
In February I completed my CAF for Winter’s Rage, book # 3 of the Paula Savard mystery series. This time, Paula investigates a hit-and-run collision that resulted in a woman’s death. Images of a tire on a snow-covered road, broken windshields, and car headlights in the dark would suit the story, but I wanted this cover to continue the series style. One problem. A Deadly Fall’s autumn time frame and Ten Days in Summer’s building fire resulted in covers with similar colours. Yellow, orange and red don’t evoke winter in Alberta. On the CAF, I suggested we bend the brand and go with white, blue or black winter shades. Michelle agreed. She created a scene of snow falling on a Calgary skyline draped in snow, the Bow River shining ice. Yellow letters echo the two earlier novels.
The front cover of Winter’s Rage gives the first hint of the story. The back cover blurb reveals a little more https://bookswelove.net/calder-susan/ You can read what it’s all about this August.
Today, on the BWL Author’s blog, I write about how my novels got their designs https://bwlauthors.blogspot.com/