Travel for Writing Research

Two years ago, my husband Will and I spent a couple of weeks in Los Angeles and San Diego, California. After we got home, I started a novel about two women who travel from Calgary to southern California on a quest. About half of the novel turned out to be set in an undescribed location roughly a two-hour drive southeast of LA and a similar distance north of San Diego. It was an area I had never visited.

This  January, we had another opportunity to visit San Diego. To research the book, we tacked on a four-day road trip to explore my story setting. I still intended to keep the locale an imagined place, but wanted to pinpoint it and make it more believable and authentic, with local colour and details like vegetation suitable for the setting and time of year. The story takes place in January.

We left Calgary in minus twenty degrees Celsius weather, with light snow, and arrived to sunshine and above twenty degree C temperatures in San Diego. My characters will also experience that pleasant jolt from winter to summer – flowers in bloom, palm trees and roads that never experience snow or ice. We picked up our rental car, changed into shorts and drove the freeway to Murietta Springs, a resort community, and the towns immediately to the north of it. I realized I would have to modify my concept of the story setting, which included (1) a holiday retreat between two valleys, isolated from the surrounding world – retreat visitors couldn’t see out and others couldn’t see the retreat from a distance (2) lots of trees blocking the views out and in and lining the entry dirt road (3) within the retreat, Mediterranean vegetation such as citrus trees (4) a small lonely older town outside the retreat, with a single motel, that serves as the retreat gateway. 

Right away, I saw my desired isolation was going to be a problem. I should have realized that this part of California is endless suburb stretching from LA through Anaheim (Disneyland) until it meets the San Diego suburban belt.  I had some hope between Murietta and Perris when we passed pockets of farmland not yet developed. There was a dirt road to low rolling hills that might, with a stretch, conceal a retreat. 

Trees, other than planted ones, are almost non-existent in this region, which is, essentially, dessert. Irrigation would be needed for my citrus and other crops.  The retreat gardener, a major character, would mention irrigation in the book.  

We spent our first night at Lake Elsinore, a holiday boating town. Dinner at a Mexican restaurant reminded me to include Latinos among my local characters. 

The second day we drove through Corona, a pleasant looking place we fantasied about spending a month in some winter. Corona merged into Riverside, where we visited the California Citrus State Historic Park, a tourist attraction that I highly recommended. Around the time of the California Gold Rush, entrepreneurs planted the first Californian oranges in Riverside. In the long run, citrus and other produce turned out to be the real California gold. In addition to taking you through the world history of citrus, the park includes walks through citrus groves like the ones that covered the whole region before suburban development. We picked oranges and grapefruits to sample on the spot. The park made me really want to keep the citrus trees on my retreat, with the added feature of guests being allowed to pick and eat as many as they like. 

That night, we stayed at the Riverside Mission Inn, a large, rambling historic hotel that, with its decor, odd crannies and walkways, made us feel away-from-it-all in the heart of the city.  It may be possible, I thought, to create a retreat that feels isolated from its surrounding world and encroaching suburbia. 

Surely, that thought justifies the splurge of the Mission Inn as research.

Day three took us high into the San Bernardino mountains. Thousands of feet of elevation led to an  environment more reminiscent of Canada than southern California. Pines and large deciduous trees. An alpine village on a lake. Mounds of snow. We followed the steep, winding roads to the Mojave desert on the other side of the mountains. Here was vast flat land dotted with sage and scrub – no place for my retreat to hide and the land is too high and cool for citrus trees. I was ready to turn back, when we arrived at Pearsblossom, a small town that struck me as perfect for the town in my story. Single motel. Small houses scattered among cacti. To the left, rolling hills where my retreat might nestle. 

We took a side road into the hills and, within minutes, saw a sign for a religious retreat. We turned in, but were too shy to look around. So, retreats can be here, hidden by hills and the enormous San Bernardino range. Continuing along the road, we passed ski and toboggan slopes packed with families from the Los Angeles area out to experience their one day a year of northern winter.

I could re-set my novel here, an easy drive from LA. The region has the isolation I want for the story and a town even more suitable than the one I envisioned. But no citrus. Would olive trees work? Would the mountains shade the retreat too much? I want sunshine – a feeling of California. 

After a spending the night in Riverside, we drove the San Moreno valley – more suburbs – to farms, a golf course, rural land. Finally, we were outside the Los Angeles and San Diego metropolitan zones.

We reached San Jacinto and Hemet, two older towns now popular with retirees and young people seeking affordable homes. Luxury houses staggered up the hillsides, next to citrus groves. One of those valleys might contain my retreat. Valle Vista, past Hemet, was too modern for my gateway town, but might work. Trees to conceal the retreat could be planted. Irrigation would come from streams falling from the mountains backdropping the region. 

My setting will need some modifications. In addition to changing the nature of the town, I’ll have to shift the citrus groves to the other side of my retreat valley. But now I’ve found the spot, picked up details for local atmosphere and had a fun and memorable trip.

Room

Sometimes I read a novel that’s so good I want to tell everyone to read it. Room by Emma Donoghue is one of those books.   

Room was a buzz book last year.  It won the 2010 Booker Prize and received attention for it topical subject matter. The story is narrated by Jack, a five-year old boy, whose mother was kidnapped at age 19. For the past seven years Ma has been held hostage in an eleven foot square room.  Jack was born in Room, as he calls it. He believes there is no real world outside of Room. All he knows is TV, which he thinks is a fantasy land showing various planets, such as the hospital planet and assorted cartoon planets.

Jack’s view of everything is unique. I had to pay close attention to always understand what he was talking about. The novel grabbed me from the start and moved along at a fast pace, thanks to an abundance of dialogue, initially between Jack and Ma and later between Jack and the people he encounters Outside. Jack’s escape from room is as gripping as a thriller.

My only quibbles were occasional words or thoughts of Jack that didn’t quite ring true for me, even coming from a child raised in his unusual situation. I felt them the author’s devices to make a point. These occasions were rare, it would be impossible for any author dealing with this material to nail every word for every reader and these moments didn’t detract from my appreciation of the book. 

Despite being creepy at times, Room is an enjoyable read that will stick with me a long time.

Series or stand alone novel?

When is a novel a stand alone and when can it be the start of a series?

According to a mystery writing advice book I read some years ago, a novel should stand alone if it resolves the protagonist’s basic problems; if it doesn’t, it invites a sequel. The author further advised that series books should have an overall story arc.

When I started my mystery novel Deadly Fall I was certain it was a one shot deal. At the same time, I sensed publishers tended to like mystery series. So, I set up the novel ending to make it look like my protagonist was heading into further mysteries, which I had no intention of pursuing.

I continued to view the book as a stand alone until the end of draft #2, when I realized I wouldn’t be able to completely resolve my protagonist’s issues. I also wanted to know more about what would happen to her and a core group of characters. This might become a series after all.

I finished the third draft. While working on draft #4, I contemplated alternative titles. My original title In Remembrance of Me came from the novel’s funeral scene. Paula, my protagonist, sees the message on the communion altar Do this in remembrance of me. She interprets it as a message from the victim, her childhood friend: find my killer. On another level, Paula is searching for herself, the youthful “me” who got lost in the business of growing up.

For those reasons, I liked my original title, but felt it didn’t sound like the title of a mystery book. What else could I call it? The story takes place in the fall. Fall has evocative connotations. Fall from grace. Fall into danger and the emotional abyss. Deadly is a common mystery novel adjective. A Deadly Fall. I looked it up on the Chapters/Indigo and library websites to see how many other books had used the title. To my surprise, there were none. A Deadly Fall it is. Or was, until the publisher later simplified it to Deadly Fall.   

Fall naturally led me to think about seasons, which sparked an idea for a four-book series with an overall story arc for Paula. Now, I could honestly tell publishers A Deadly Fall was the start of a series. They didn’t need to know the series was limited.

I quickly decided on a title for book #2: The Secret Spring. While waiting to hear from publishers, I wrote the sequel with the title in mind. As a result, spring is more integrated into the story. In addition to the spring time frame, the victim is found dead in an isolated (secret) hot spring. All mystery novels are about secrets.

I decided Book #3 would be summer and book #4, the finale, winter.

After Deadly Fall was accepted by a publisher, I pondered the series further. Could it and should it be more than four books? I thought through the narrative arc. Four books would rush the arc, there were many more things I could do with my characters and, given Paula’s profession as an insurance adjuster, many more mysteries she could solve.

Author Sue Grafton was thinking ahead when she used the alphabet for her mystery series. It gave her 26 potential books. With only 4 seasons, I’ve painted myself into a corner.

I’m sure I’ll figure a way out of the corner. That’s what we mystery writers do.

I’m on Chapters and Amazon

My sister discovered my novel Deadly Fall listed on Amazon.ca. I hadn’t thought to check since the book won’t be released until March. I looked at Chapters/Indigo.ca and also found it there. It’s also on Amazon.com for US readers. 

In our enthusiasm, my husband Will and I instantly fired off a batch of e-mails to tell family and friends the news.  A couple of them told us they pre-ordered the book. The next day, while poking around the Amazon site I found that Deadly Fall was # 95  on the Amazon bestseller list for Mysteries with Women Sleuths and # 20, 234 for overall books. Many thanks to the book’s first purchasers. 

A day later Deadly Fall was off the Women Sleuths list and something like #40,000 overall. What a difference a day makes. It was fun while it lasted and is still fun to see my novel posted on the sites.  Here are the links:

Chapters/Indigo:

http://www.chapters.indigo.ca/home/search/?keywords=susan%20calder%20deadly%20fall&pageSize=12

Amazon.ca:

http://www.amazon.ca/s/ref=nb_sb_noss?url=search-alias%3Dca-books-english-tree&field-keywords=susan+calder+deadly+fall&x=17&y=20
Amazon.com – for USA:

Black Swan Dives

Yesterday, my husband Will and I went to see the movie Black Swan, a ballet thriller that is one of this year’s big Oscar condenders.  For psychological horror, I feel the movie works. It made me gasp out loud, although I’m easy  for movie directors to manipulate and am usually the first to scream in a theatre. Black Swan has plenty of creepiness, enhanced by mood music; lots of blood and ugly, damaged ballet feet; twists that make you wonder what is real and what the heroine, Nina, has imagined.

My main problem with Black Swan was that the theme struck me as heavy handed. The ballet director tells Nina she is technically perfect and ideal for the role of the white (good, virginal) swan, but needs to lose control and explore her dark side to dance the black (evil, sexy) swan, and so achieve overall perfection, which is all that matters in the ballet world. Rather than feel engaged with characters and a story that developed this theme, I felt the characters and story were dancing to the message.  At the end, I thought fine theme and entertainment, but who cares?

For Oscar contending movies, I far preferred The Social Network, a movie with a message, real characters and heart.

Full jacket cover

Yesterday, I received the proof for my full book jacket cover. Previously, I’d only seen the front page. Viewing the whole thing was amazing. I love the little leaves falling all over the place, the texture of the dark leaf underneath the main yellow ones, the yellow writing on the dark background and the way the main yellow leaf spills over the spine and the inside cover flap, which features an excerpt from the novel. I think it’s a beautiful cover – simply perfect.   

Click this link to see what the cover looks like. It might take a few seconds to load. Imagine the side sections folded over to form inside flaps.Deadly Fall Cover